Fine Art Editions

The edition programme began in an East London garage in 2012 with a direct ambition: to make work with artists and bring it to an audience beyond the original painting or mural. In 2014, production expanded to Turin through a collaboration with master printer Marco Scellato.

The workshop became a place for both technical and conceptual decisions. Paper, ink, the number of printed layers and the use of hand-finishing shaped how an artist’s imagery could become an edition. The related Mission to Art residency gave artists time to participate in that process, working with Levy and Scellato from the development of an image to its production.

Collaborators included Alexis Díaz, Borondo, Faith47, DALeast, D*Face, Fintan Magee, Agostino Iacurci, Bicicleta Sem Freio and many others. Their approaches produced a varied archive of screenprints, mixed techniques and individually finished works, with the particular requirements of each image determining the means of making it.

The programme also experimented with how editions reached people, using events, lotteries and online releases alongside conventional sales. Its history is one of artist collaboration and printmaking, but also of finding ways for images associated with public space to enter everyday life on a different scale.